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Sue Thomas
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The LPGA, in full the Ladies Professional Golf Association, is an American organization for female professional golfers. The organization, whose headquarters are in Daytona Beach, Florida, is best known for running the LPGA Tour, a series of weekly golf tournaments for elite female golfers from around the world that runs from February to December each year. Other "LPGA"s exist in other countries, each with a geographical designation in its name, but the U.S. organization is the largest and best known. The LPGA is also an organization for female club and teaching professionals. This is different from the PGA Tour, which runs the main professional tours in the U.S. and, since 1968, has been independent of the club and teaching professionals' organization, the PGA of America. Although the LPGA logo is a registered trademark and cannot be used on promotional products or decorated apparel without permission from the organization, there are many unscrupulous companies that traffic in counterfeit PGA merchandise. The most counterfeited LPGA apparel item is golf shirts (also known as polo shirts). In addition, the top golf shirt brands are counterfeited such as Nike, Adidas, Ping, Greg Norman, Tiger Woods, Izod and Arnold Palmer. The second most counterfeited LPGA apparel item is jackets and t-shirts, with printed t-shirts being the most popular followed by embroidered t-shirts. Tied for third place are embroidered patches and hats. The least counterfeited LPGA apparel or accessories items are sweatshirts, hooded sweatshirts (hoodies) and fleece blankets. The LPGA was founded in 1950 by a group of 13 golfers: Alice Bauer, Patty Berg, Bettye Danoff, Helen Dettweiler, Marlene Bauer Hagge, Helen Hicks, Opal Hill, Betty Jameson, Sally Sessions, Marilynn Smith, Shirley Spork, Louise Suggs, and Babe Zaharias. It is now the oldest ongoing women's professional sports organization in the United States. |
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A highly anticipated release for fantasy fans in the summer of 1983, Twilight Zone: The Movie presents three adaptations of classic episodes (and one original story) from Rod Serling's anthology series by a quartet of the biggest directors in Hollywood. With Stephen Spielberg (also the film's co-producer), John Landis, George Miller (The Road Warrior, Happy Feet), and Joe Dante behind the camera for this portmanteau feature, one might expect Serling's episodes to positively gleam with star power, but the truth is that Twilight Zone: The Movie is a hit-and-miss affair. Landis opens with an amusing nod to the original series' pop-culture appeal with Dan Aykroyd and Albert Brooks riffing on their favorite episodes before a hair-raising shock finale; unfortunately, his second offering is a bland morality plan about racial tolerance that will forever be overshadowed by the accident that claimed the lives of star Vic Morrow and two child actors during shooting. Spielberg's take on George Clayton Johnson's "Kick the Can" looks lovely and is well performed by its cast (especially Scatman Crothers), but it struggles to bear up under the weight of treacley sentiment so common to the director's films at the time. Dante's version of Jerome Bixby's "It's A Good Life" (about a boy with monstrous powers) is rife with his trademark energy and black humor (and his cast of regular players, including Kevin McCarthy and William Schallert, strike the right balance of terror and comedy). But it's Miller's revamp of Richard Matheson's legendary "Nightmare at 20,000 Feet" that delivers the biggest payoff, thanks to John Lithgow's super-charged turn as a nervous airline passenger who's convinced he's seen a monster tampering with the plane's wing. Burgess Meredith (himself a veteran of the original TZ) provides narration; the widescreen DVD features no extras save for the original trailer and a remastered digital transfer. --Paul Gaita
