Han Lee Merchandise

Using the same budgeted design as on their (surprisingly pricey) Original Jacket series of box sets, Sony has unleashed a true bargain here: 12 CDs that average a little over five bucks a pop. Lenny's second cycle for Deutsche Grammophon may boast greater sonics, plenty of wonderful moments, and the complete song cycles, but it costs more than twice as much. Here, we get a younger Lenny, sounding fresh and expressive and delivering still-unparalleled interpretations of the First, Third, Seventh, Eighth, and Ninth, and pretty great performances of the rest. The intensity on these discs is infectious and the price can't be beat. A must-have. --Jason Verlinde

For the first 90 minutes of the movie, Affleck and Beckinsale find a nice, appealing chemistry that plays on his strengths as a movie star and hers as a serious actress--he gives her glamour, she gives him smarts. Their truncated romance--the beginning of which is told in flashback so we can get right to the point where he has to leave her to go to England--works, thanks to their charm. They're no Kate and Leo from Titanic (a strategy the film strives hard toward), but they're pretty darn adorable in their own right. Hartnett, as the not entirely unwelcome third wheel, squints bravely but makes only a slight dent in the film. Everyone else in Pearl Harbor--from Cuba Gooding Jr.'s brave navy seaman to Jon Voight's able impersonation of FDR--is pretty much a glorified walk-on, taking a backseat to the pyrotechnics and action sequences that keep the three-hour film in fairly constant motion. But when that action does take hold, Pearl Harbor is quite a thrilling ride. --Mark Englehart

What strikes one about every episode on these discs is the lavish care Hanna-Barbera paid to Tom and Jerry, not only drumming up new, sometimes exotic settings (such as the swashbuckling "The Two Mousketeers," or for the Old West adventure "Texas Tom") but also consistently turning out gorgeous and wildly creative backgrounds, where straight lines rarely exist and the palette of a night sky includes multiple, dreamy shades of blue and green. Technicolor and novel visual ideas (e.g., shooting a scene through the tunnel-like view of a hollowed-out bread loaf) are sometimes more pleasing than the combative relationship between the two leads. But their rivalry is often renewed in very interesting ways, such as the wonderful "Tom and Jerry in the Hollywood Bowl," in which the pair play competing conductors against a lovely backdrop of L.A. landmarks. Special features include the Anchors Aweigh dance sequence featuring Jerry and Gene Kelly, and a featurette, "How Bill and Joe Met Tom and Jerry." --Tom Keogh