Stephanie Dubois

Sat, 22 Nov 2008 01:04:58 GMT

Gender differences in the emotional tone of written sexual fantasies.: An article from: The Canadian Journal of Human Sexuality

This digital document is an article from The Canadian Journal of Human Sexuality, published by SIECCAN, The Sex Information and Education Council of Canada on December 22, 1997. The length of the article is 4310 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

From the supplier: A study of men and women's emotional tones associated with written sexual fantasies indicated that women, more than men, associated the experience with pleasant feelings. Men did not significantly score higher than women when evaluated for arousal and action. Men did score higher when measured for erotophilia and erotophobia than women.

Citation Details
Title: Gender differences in the emotional tone of written sexual fantasies.
Author: Stephanie L. Dubois
Publication: The Canadian Journal of Human Sexuality (Refereed)
Date: December 22, 1997
Publisher: SIECCAN, The Sex Information and Education Council of Canada
Volume: v6 Issue: n4 Page: p307(9)

Distributed by Thomson Gale

Stephanie Dubois

Sat, 22 Nov 2008 00:37:54 GMT

Maelstrom

Stephanie Dubois

Fri, 21 Nov 2008 21:25:11 GMT

The Final Cut

While it works better as a somber mood piece than a futuristic thriller, The Final Cut posits a unique what-if scenario that some viewers will find fascinating. In a role that calls for his low-key One Hour Photo persona, Robin Williams plays an expert "cutter" who's in demand for his ability to distill anyone's lifetime into a feature-length "rememory" film that highlights the better side of anyone's nature. His profession is made possible by the "Zoe" chip, a prenatal brain implant capable of recording a person's entire lifetime--a technology opposed by a former cutter (Jim Caviezel) and puzzled over by Williams' on-and-off girlfriend (Mira Sorvino). First-time writer-director Omar Naim divided critics with his impressive visual style and lackluster screenplay, which fails to account for the larger implications of the Zoe chip's exploitation. Still, the film contains several intriguing ideas that place it among other sci-fi films like Gattaca, suggesting one of the many potential controversies that await us in a future where ethics and technology are not always compatible. --Jeff Shannon